Year 2019. Creators Guy Ritchie. . directors Guy Ritchie. A talented graduate of Oxford, using his unique mind and unprecedented audacity, came up with an illegal enrichment scheme using the estate of an impoverished English aristocracy. However, when he decides to sell his business to an influential clan of billionaires from the United States, no less charming but tough gentlemen stand in his way. An exchange of courtesies is planned, which certainly will not do without shootings and a couple of accidents. runtime 1 H, 53 minutes

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The gentlemen review. The gentlemen 2020 film. The gentlemen full movie. The gentlemen sub. "The Gentlemen" is the newest movie by director Guy Ritchie, who is also one of the three writers here and is nowadays still not only known for his movies, but also for the fact that he was once married to Madonna. This film runs for approximately 110 minutes and looking at it in detail, I would say that his approach and the outcome in terms of style and pretty much everything else is the same like it was 20 years ago for him. It's very frequently style over substance. The fact how over the top the story may be is not too important if there are constantly cool quotes, spectacular characters and outrageous events happening. The best example is the kid falling out of the window. Or that there are rails where the Asian guy falls down and that this very second also a train arrives. Or his name of course and the many jokes about this are also a prime example. But it also results in a lot of fun. I just mentioned Aslan falling out of the window already. Now that entire scene was hilarious with Hunnam's character and the kids there and the two strong folks too of course. And also after he falls out of the window when we see Hunnam run after the boys (or one of them) then have a conflict with them, then pull his gun. And so on. Also how one of the two brutes deals with the situation and we see it just like Hunnam's character does. All accompanied by some of the smartest and most hilarious dialogues out there. I think Hunnam was my favorite from the cast here. And that means something because it is a really good cast. He is growing more and more on me. I still wonder if his character is actually a cannibal, if he is eating what he seems to be eating near the end? And if yes, then if he knew what he was eating? Namely a juicy piece of prey meat handed to him from the boss lion to his most precious aide? Anyway, my praise for Hunnam means even more because folks like Grant, Marsan and McConaughey are actors I also like a lot. Not to mention that Farrell, Dockery and a few other experienced and highly successful actors are on board here. I somehow feel that with this cast at his disposal, Ritchie could have come up with something better. But it is really all almost pointless fun from beginning to end. Of course there are also sexual references, but the most "worrying" is the great deal of violence here. Also not just that it happens, but how it happens. It is sometimes pretty extreme. Take the meat references towards the end. Or how it starts right away as we see McConaughey's character at a restaurant just having a tea or coffee or so and then somebody comes and shoots him in the head. Well, at least it seemed that way. Reality is different as we find out later on. But it could have happened like this because all we see afterwards for over 60 minutes after this little opening takes place before said opening. Other than that, it's a fairly chronological movie. McConaughey seems like the protagonist early on, the lion as he calls himself, but the longer the film goes, the more it turns into an ensemble performance really and there are long sequences that do not feature him at all, even if at the very end, he is back again as strong as possible and he almost looks like a lion there, too strong maybe even because at some point, it just felt like a film that tried his best to show us the most hopeless situations for McConaughey's character and how he always manages to get out of them. Often through mere luck. It is just really absurd. Hunnam's character arriving on time at the restaurant was still alright, but how the boxer kids open fire and kill the two Russian gangsters in the front seats was just too ridiculous honestly. Or also how Farrell's character kills those at Hunnam's character's house. I must say I struggled a bit with Farrell's role in general, already his very first scene when he shows these boys how he is physically and intellectually superior there. Prime example of the aforementioned style over substance. Oh well. Then again I am not a big fan anymore as I was years ago when it comes to Farrell.
The one actor I like more is Hugh Grant (he has steadily risen in my perception and was Oscar-worthy in "Florence Foster Jenkins" not too long ago) so I was a bit disappointed that he is basically only used for the framework here and a bit of a blackmail story because honestly I could have done without this part completely. He is not needed to tell the story, even if he has his fun moments too like how he comes from the bathroom when the two gangsters arrive with Aslan's corpse. But as a whole, he could have added a lot more if his character had been written more convincingly. At the end, how he ends up in that box and still has this revelation to share about Aslan's dad and the consequences coming with it and how it all happens at the same time is also really exaggerared. I did not like it too much. At the end, he seems free, but nope not yet, he is again in Hunnam's character' car. When Grant's character gives the script to Miramax (also the actual producer here of course) he implies there could be a sequel to his ideas, which certainly can be understood in a way that this film here could also get a sequel. Also fairly fun how people in his story at the end end up in cars under dangerous circumstances while also he ends up in a car in a situation he desperately wants to get out of. Will he live or die? We also will see in a sequel perhaps. I think this one here was good enough for me to check out a sequel if they ever make one. I hope they use another awesome song for the opening credits there just like they did here ( Cumberland Gap. Had to download immediately when I was home. I hope such a sequel features Hunnam's character prominently then, maybe even more at the center of the story than he was here. Okay, what else can I say about this film. I was really tired at the beginning, so maybe this is why I felt that it needed a while to become a good film. Or I don't know, maybe it never turned into a good film, but just a funny, fairly creative one. The core story is really easy to criticize with how absurd it turns out at times (also the complete absence of police) and I am not one bit surprised that critics apparently did not like the film too much from what I have read. I probably could write another two paragraphs, most likely more, only filled with cool quotes here, but I won't. Instead I say: Go watch the film yourself and I am positive you will smile or even laugh a lot. Also about the absurd comedy. Even when there is talk about a guy being locked in a gigantic freezer, it is somewhat funny. Enough said. Tarantino will perhaps like it too. Let's just hope the guy in the freezer will not have a similar fate like Aslan( s corpse. Oh well, then again I did not like him too much either, the guy in the freezer I mean, the Jew with his crabs that is, perhaps also because of his introduction early on. Later on, he was slightly more interesting, but there it was also basically McConaughey just doing all the work in the scene with him. Oh and Eddie Marsan yes, I have to mention him because I really adore the actor. Now his scene with the pigs and the implications what happened (luckily they spare us the visual side) were just so wrong and yet hilarious. Nice to see Marsan getting to work with some really big stars here. In that scene, or the aftermath, even Farrell's comments were truly hilarious about how they could never unsee what happened there. They should have named the pig Napoléon though, no idea how they forgot about this reference. Okay, this is all then I suppose. I give the movie a thumbs-up for sure and recommend checking it out. Could have been 10-15 minutes shorter though if they had left out some of the weaker parts or the entire frame story (and given Grant a better role. Even there, when they try to be smart, like with the wire in the shoes, it is never "Knives Out" level. Still, it's worth 110 minutes of your time, especially if you like most of the actors as much as I do. What I do have to say though is that in terms of character writing, Ritchie still has to win me over that he can also come up with high-quality female characters. Sure, it is difficult in a world of organized crime, but Dockery definitely is not it here. The young girl at the apartment that they are supposed to bring home is even more interesting although she has like 10% of Dockery's screen time. At least in terms of items Dockery delivers. That tiny golden gun is really cool and also the references to it being just a paperweight. Okay, now that is really all. I think you could say that "cool" is the perfect word to describe the movie, even if it certainly is also a bit on the shallow side.

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The gentlemen buffy. The gentlemen subtitles srt. The gentlemen sequel. The gentlemen song. The gentlemen movie reviews. The league of gentlemen 1960. I was trying to figuring out who that was the entire trailer, thinking I'm sure I recognise him then when it said Hugh Grant I was like WHAAAAAT. I need to know what kind of tracksuit he is wearing lol fresh as F.

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